12/14/2023 0 Comments Sigma 18 35 canon 5d mark iii![]() You can see all 17 other category winners below. The winning images will be exhibited at the Natural History Museum in London, before the exhibition tours across the UK and internationally, including to Australia, later this year. Global promises must shift to action to turn the tide on nature’s decline.’ Each entry was judged anonymously by an international panel of experts on its originality, narrative, technical excellence, and ethical practice.ĭr Doug Gurr, Director of the Natural History Museum comments, ‘Whilst inspiring absolute awe and wonder, this year’s winning images present compelling evidence of our impact on nature – both positive and negative. The two Grand Title winners were selected from 19 astounding category winners. It simultaneously screams “habitat destruction” and “adaptation”, begging the question: If wildlife can adapt to our environment, why can’t we respect theirs?,’ says Kathy Moran. ‘This photograph has so many layers in terms of content and composition. Using the family car as hide, Carmel made the most of natural light and long exposure times to capture the light trails of passing traffic. He made the most of the natural light and used long exposure times to capture the light trails of passing traffic. Returning to where he had spotted a barn owl the previous year, Carmel and his father used the family car as a hide. Carmel Bechler discovered several barn owls in an abandoned concrete building near a busy road. Owls’ road house by Carmel Bechler, Israel Winner, 15-17 Years. Seventeen-year-old Carmel Bechler from Israel was awarded Young Wildlife Photographer of the Year 2023 for his ‘Owls’ road house’, a dynamic frame of barn owls in an abandoned roadside building. Young Wildlife Photographer of the Year 2023 Laurent's image was selected from 49,957 entries from 95 countries. He was first awarded Wildlife Photographer of the Year in 2021 for an image of camouflage groupers exiting a milky cloud of eggs and sperm in Fakarava, French Polynesia. Laurent becomes only the second photographer in the competition’s fifty-nine-year history to be awarded the Grand Title award twice. ![]() We are looking at an ancient species, highly endangered, and also critical to human health. The tri-spine horseshoe crab has survived for more than 100 million years but now faces habitat destruction and overfishing for food and for its blue blood, used in the development of vaccines.īut, in the protected waters of Pangatalan Island in the Philippines, there is hope for its survival.Ĭhair of the jury and editor, Kathy Moran says, ‘To see a horseshoe crab so vibrantly alive in its natural habitat, in such a hauntingly beautiful way, was astonishing. ![]() Nikon D5 + 13mm f2.8 lens 1/25 at f22 ISO 800 Seacam housing 2x Seacam strobes. Above the horseshoe crab, a trio of juvenile golden trevallies are poised to dart down for edible morsels ploughed up by its passage. Its golden protective carapace hides 12 appendages. The ancient mariner by Laurent Ballesta, France Winner, Portfolio Award ‘The golden horseshoe’ A tri-spine horseshoe crab moves slowly over the mud. The image shows a tri-spine horseshoe crab accompanied by a trio of golden trevallies. Material prepared Arkady Shapoval.The winners of the Natural History Museum's prestigious Wildlife Photographer of the Year competition have been announced, with French underwater photographer and marine biologist Laurent Ballesta awarded the overall title of Wildlife Photographer of the Year 2023 for ‘The golden horseshoe’. If someone came across a similar on their camera, please indicate the model of the camera and lens in conjunction with which such a disgrace occurs. It may also be part of a new way to “fight” third party lenses. Most likely, the camera malfunctions due to the built-in profile of a particular lens. Aberration: OFF, Distortion Correction: OFF, Diffraction Correction: OFF. For example, on a camera Canon EOS 6D Mark II on the menu " Aberra correction the lens”Should be set to Corr. The treatment is quite simple: In the camera menu, disable automatic distortion correction. In all photos in a bunch Canon EOS 6D Mark II, Canon EOS 5D Mark IV (and some other similar ones) and the lens Sigma ART 50mm 1: 1.4 DG HSM (and some other similar ones) on open diaphragms dark / translucent appear concentric circles and stripes. This incomplete and rare incompatibility is exactly what manifests itself, as shown in the photo in the title of this post ( enlarge photo). Canon EOS 6D Mark II (and some other similar ones) and the lens Sigma ART 50mm 1: 1.4 DG HSM (and some other similar ones). This is how incomplete camera compatibility is manifested.
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